Lutzka And Me: A Non Interview and Some Thoughts on "Corporate" Sponsorships

When it comes to big corporations in skateboarding, I’m more baffled than threatened. I have a lot of questions. I know skating is more popular now than ever before but does that really mean Sean Malto can effectively sell Mountain Dew to the masses with his skateboarding prowess? Does anyone who doesn’t skate really care about skateboarding in any profitable way? Does P-Rod’s Axe scent smell better if you apply it with your non dominant hand? I’m not an advertising expert or a demographer. I’m barely an expert on skateboarding. Maybe my inner skate rat just can’t comprehend that anyone really gives a shit about skateboarding.

Stop Skating With Your Eyes

We experience skateboarding with all of our senses, but we consume it with our eyes. Ironically, when you are actually skating, what you see is the least important part of the experience. The feeling of weightlessness in the air, the vibration of the grind through your feet, the sound of trucks on concrete: These are the things skaters are really chasing after when they ride. Yet the increasing emphasis on watching skateboarding, from pro vids to your own selfies, can make it real easy to lose sight of this.

Ride Channel Rejects Part 1: "7 Things You should Be Worrying About More Than The Olympics"

(Recent editorial changes at RIDE channel mean I may not be contributing to the site anymore. In my time at RIDE I contributed a few things that were in limbo in terms of publication. Now that the restrictions are off, I thought I would post a couple of pieces here. Enjoy.)

The inclusion of Skateboarding in the Olympic Games has a lot of skaters up in arms. The way some are talking, you would think the International Olympic Committee was coming to personally focus their boards and stopper all their spots. In reality, the Olympics are way down the list when it comes to threats to skateboarding. It's time for some perspective: here are 7 threats to skateboarding that are way worse than its inclusion in some international sports prom that only takes place every four years.

Pebbles

53 'Til Infinity: Ron Allen Part One

Ron Allen gets a lot of respect for skating hard and putting out street parts at 53, but to really get it you have to put that number in perspective:  at 53, that makes Allen 4 years older than Mark Gonzales, 4 years older than Eric Dressen, and 3 years older than Natas Kaupas. When H-Street exploded with Shackle Me Not way back in 1988, Ron was already 25 years old… practically ancient by 1980’s pro standards… but he’s still going, and going all out.

But Ron Allen is not just a skate rat with a storied career, He’s a man who really thinks about skating, a man who has taken decades of experience and refined it into real insight.

So, when I ask Ron the million dollar question: is today’s big-time, mass popularity era of skating better than the nostalgic, underground hard scrabble days of the 80’s, I get an answer that spins us off into a lot of different directions.

With "Fetish", Welcome are no longer the Monarchs of the Mystifying

When Welcome skateboards apparated onto the scene in 2010, they immediately got attention for putting out boards that looked like no one else's. With team riders like Chris "Mango" Milic, and Eric Winkowski bending minds in their Monarchs Of Magic vid, they just as quickly gained a rep as the team that skated like no one else. A lot has changed since Monarchs. A brand that began as a quirky oddity, has grown to become much more than just the common ground between old warhorses looking for the glory days and millenial hipsters burning to be "different". Welcome is now a wildly successful a-list company. The distinctive boards that once set them apart are now representative of the status quo. With Welcome's new full length video Fetish, the same might be said to have happened to the team's skating.

Shredding Chords And Shredding Boards With Lucero's Brian Venable

The exchange between skateboarding and music is  as old as skateboarding itself, a cliche really. As a fanatical skater Lucero guitarist, Brian Venable is a part of that old story, but his evolution from skater to musician to musician/skater is a little different than the standard “skate rat starts band” trope. Venable didn't pick up a guitar until long after he had put hs board on the shelf, and even though his band shares a name with the godfather of slappies and enjoys a sizable following among skaters, Venable tracked a lot of miles on the road with the band before he finally put his feet on grip again. Now, he’s back in full-on obsessed skate rat mode. Skating has become a big enough part of his life that Lumberjack Outfitters put out a Brian Venable deck last year (which quickly sold out). Rediscovering skating has bled into Venable’s work, and how he balances and blends shredding a board with shredding on his guitar, illuminates the eternal realationship between skateboarding and music.

A Wheel/Journalistic Ethics Review, Or, Why Skateboard Product Reviews Have Always Sucked

For decades, skateboard magazines have dealt mostly in celebrity.  Skaters buy mags to see and read about the exploits of famous skaters, not to get practical information that helps them skate. Sure, there are occasionally gear reviews and trick tips, but these are inevitably useless.  Skateboarding is not a spectator sport, our culture is driven almost 100% by actual participants, yet our mags are basically selling spectatorship. Compare that with the mags that serve cyclists and runners or particpants in any other physical hobby: in other disciplines, the media is driven by things like training tips and comically exhaustive equipment previews and reviews. Nobody would buy a copy of Runner’s World if it was nothing but pictures of famous runners doing laps, but that’s kind of what skaters re doing when they buy a copy of Thrasher or Transworld.

The last thing I want is for Thrasher to mutate into Golf Digest, but I’ve always felt that there is a place for something more “rider-oriented”, in skating. Figuring out how to do this, however, is not so simple, and plunges a writer deep into the weird, murky depths of skating’s unique nature, revealing just how complex and substantive skateboarding really is.

The PBD Skatecoach 8 Point Program To Get Your Ollie Back

For Go Skateboarding Day this year, I reposted a blog on why “International No-ollie Day” should be the next big skate holiday. When I put it up on the PBD facebook page, I was surprised by the number of people who commented that the ollie is no longer part of their repertoire. Some were brash about it, others wistful. Either way, as an aged skater who recently reacquired a fair portion of his pop, I felt duty bound to share some tips on how you can get your ollie back. If I can do it, anyone can.

Around 2004 I basically stopped skating street. For the next 5 years I was pretty much skating bowls exclusively. From 2009 through 2011 I was lucky to get on my board once every couple months. In 2012, when I started re-discovering roots street skating in the parking lots and abandoned strip malls of my neighborhood, my ollie was all but gone. A little less than a year later I was popping high enough to clear a medium sized traffic cone, and far enough to clear the euro at Marsh Creek skatepark. Here’s a few insights on how a nobody like me, a mediocre skater even during his best years, who only had about 3-4 hours of skate time total a week got his ollie back.

Don't Blame Jamie Or Jaws, Here's The Real Reason For The Scooter Menace

Skating often captures the imagination of those who lack the will, temperament or dedication to take it up. This is why trends like rollerblades, snakeboards, rip-stiks, and razor scooters are always yapping at skaters' heels.

The latest incarnation of this phenomenon, the Razor scooter, has been especially persistent, not to mention obstructive to the modern skateboarder.  More than one skater has placed the blame for the scooter epidemic on the high-impact, highly technical trends in modern pro skateboarding. At a glance, the connection seems plausible: Elite level Skateboarding has developed a more risky dimension than it had in the good ol days, they say. An emphasis on increasingly complex and risky tricks rather than "just rolling", is making kids take up scooters instead of skateboards. The skate world, they posit, has become an all jocks club that welcomes only the most athletically driven skaters.

Take a closer look at skateboarding, and a good hard look at the Razor scooter, and it becomes clear that the kids riding those Razors wouldn't be riding skateboards no matter what sort of stuff was going down in Thrasher magazine.

I'm Not An Old Guy Anymore, As If I Ever Was before

My days of peak skill on a skateboard are long past.  In fact, at 42, I may be one ankle injury away from never popping an ollie again. I skate curbs more than anything else. I spend a fair amount of time skating bowls, but I don't worry too much about getting up on the coping.  So yeah, I'm an old skater: a veteran, a lifer.

But I don't think I want to be an "Old Guy Skater".

I have no illusions. I am old. Older than any skater I knew when I was in my prime, and there are lots of great things about being an old guy. The emergence of an older demographic in skateboarding has had positive effect on everything from the building of municipal skateparks, all the way down to the revival of curb skating. But with the coming of the old guys has also come a lot of back-slapping and self organizing, as well as a tendency toward a sort of pouty self-imposed marginalization.

No doubt, "Old Guy Skater" groups on social media  have been invaluable in getting veteran skaters together to shred, socialize, and share spots. I frequent a couple of really great ones, and when they are done with the right attitude, they are a great resource. Still I can never quiet escape the fact that, at some level, being a part of these groups, even the positive ones, also implies that being old relegates some skaters to a separate place in skateboarding, a place of either perceived privilege, or resigned inferiority.

The thing is, now more than ever, age has nothing to do with one's place in skateboarding.  Maybe it's time to drop the "Old Guy" branding from all the groups, blogs, and other outlets that bear that tag. Maybe it is time to re-think what being an "Old Guy" means, and what we are really trying to promote when we exult in our "Old Guy" status.

Keeping Things Rolling With Speedlab Wheels

Bill likes them.

When Speedlab Wheels started in 2002 it wasn't about cashing in, it wasn’t even an act of rebellion against big time skateboarding. Speedlab started because a skater named David Rogerson couldn’t find a wheel like he wanted to ride.

“Speedlab began because no one was making bigger wheels.” Explains Speedlab's current owner, Alan Keller “Back then, you couldn’t find anything over 58 millimeters.”

Now Speedlab has changed hands, but Speedlab is still all about getting skaters the kind of wheels they want and deserve but can’t always get. 

Bomb (Drop) The Suburbs

Not me...but pretty close

In recollecting all the shenanigans and illuminations surrounding my first ever quarter pipe session in Jimmy Wallace's driveway, I forgot to mention that I learned my first skateboard trick that day: The Bomb Drop. By today's standards the bomb drop might not be considered a trick at all, even in '88 it was already out of date for most skaters in the know, but for me, back then, it was the first thing I learned that looked like a trick and, more importantly, that felt like a trick.

And, to me, it was the most awesome thing I had ever done, on or off a skateboard.

The trouble With FUN

I've always loved that little clip from Speed Freaks where the late, great Jeff Phillips declares: "I skate for fun and that's it!. If I don't have fun you see me quit." Pretty good words to live by. "Phillips' Law", I like to call it. But If I am completely honest with myself, I have to admit that I have always had a tiny bit of reservation about that assertion.

I do “skate for fun”, but that is most definitely not “it”. When it comes to my relationship with skateboarding, "Fun" just doesn't cut it.

Keep Your Heroes. We Don't Want Them.

Slash Dog with Real Dogs. Alva at Nude Bowl on that fateful night, by Andrew Hutchison

The culture of skateboarding is largely built on hero worship. In this way, skating is not unlike conventional spectator sports. Pro endorsements are the prime mover of skate products, and the deeds of pro skaters dominate the media we consume. Still, even in an era where pros can earn seven figure incomes, the relationship skaters have with their pro "heroes" is  fundamentally different from the relationship adoring sports fans have with theirs. In fact, it makes me wonder whether the term "hero" has any place in skateboarding at all.

Skateboarding is Not A Sport

You can take practically any physical endeavor and turn it into a “sport”. Just flip through the cable channels late at night and you’ll see. There is competitive lumberjacking, competitive aerobics, competitive martial arts. There's even professional eating. Turning something into a sport is simple all you have to do is impose limitations on it.  Mark Twain once  joked that the sport of golf was  “a good walk spoilt.”  It was just a smart ass remark, but the essence of sports lies in that little quip. Add in rules about teams, official measurements and require someone to carry a ball, and something as simple as walking from one end of a field to another becomes football.

Skaters have been antagonistic about branding skateboarding as a sport for decades. A lot of this comes from skating's DIY roots and the punk rock ethos it picked up in the 1980’s, but the need to refute and reject all attempts to make skateboarding a sport go beyond simple rebellious desires, it cuts right to the nature of skating itself. Limitations and skateboarding are two entities that always have trouble getting along. Entities that should have trouble getting along.

The Popsicle Experiment

For the last two years I have been one of the thousands of skaters who has embraced alternate skate deck shapes. I've ridden shovel heads, punk points, curvaceous, wide bodied hybrids like the Street Plant Street axe, and I’ve had custom shapes made to my own specs, The whole time I've been pretty vocal about how these shapes can be more than just nostalgic, stylistic affectations.

About 3 months ago, for the first time in 2 years,  I set up my first popsicle deck. It was my attempt to come full circle with all my experimentations, and see how my perceived preferences stood up against the baseline of modern skateboarding.

Even in light of all of my shape advocacy, I would be lying if I said that I didn’t notice immediate advantages with the popsicle. There are good reasons to ride a standard shape, just as there are good reasons to ride a well-designed alternate shape. Teasing out what advantages come from the actual popsicle shape and which come from other factors like a shift in wheelbase size and width is a more subtle matter.

Submit To The Grind: Examining Skateboarding's Original Sin

WONT SOMEBODY THINK OF THE AXLES!!!!

There are things in life so ingrained that we never notice how weird they are unless we take a big step back. Skate culture is full of these sorts of things. In fact, you could say it is built upon them. After all, we're a culture obsessed with finding ways to further complicate riding what is already the world's most dysfunctional vehicle.

Take grinding, and by grinding I mean all the related acts of board sliding , tail sliding, nose sliding, whatever, as well. Grinding, be it trucks or decks, is as essential to modern skateboarding as urethane wheels and precision bearings. But, step out of your skater consciousness and really ponder the grind for a moments and you will quickly realize our obsession with the grind is really fucking weird.

Talking Gear Doesn't Make You A Poseur, And Not Giving A Crap Doesn't Make You A Jock

If you are familiar with the work I've done with The Ride Channel or even hung around the Parking Block Diaries Facebook page, you probably know I put a fair amount of thought into the gear I ride. In modern skateboarding, thinking critically about what you are riding is usually a point of controversy, not for the opinions you might form, but for the fact that you have an opinion at all.

I see it all the time on my pages or in the comment sections of my articles: Someone will ask some advice about how a deck rides or ask for suggestions on what kind of wheels to get, and, soon afterwards, the snarky and even hostile comments come rolling in. For many, even asking about gear is "over-thinking" and considering the specs of different products"Doesn't matter".  Before long they always end up twisting the good ole' Zorlac "Shut up and skate" slogan into their ultimate justification.

Stop acting Like The Taliban. Start Acting Like The Hell's Angels

Skaters like to wax poetic about the virtues of core skateboarding, the values fostered by the underground...they go on about how important all of that is, how vital it is, yet, when anything comes along that might (gasp) move skateboarding outside the boundaries of their own personal, subjective and usually overly idealized ideology of "core" skateboarding, they start ranting about how skateboarding is in peril of being "ruined".

I have to wonder: Just what is this fragile thing they call skateboarding that needs so much protection?  It's not something I recognize. The skateboarding that I have cherished for three decades is not some precious, fragile little flower, it's a fucking weed that won't die no matter how hard it gets pulled, stepped on, or doused with poison. It's a weed that can't be killed because its roots are too strong.

SLAPCHAT: With Danny Sargent

If there was a Mount Rushmore of curbs, Danny Sargent’s face would be on it, three stories high, right between John Lucero and Tom Knox. At the apex of his career it seemed as if there was no angle of concrete in the San Francisco Bay area safe from the wrath of Sarge’s trucks. But now, after moving his family to Minneapolis, Danny Sargent is getting a sample of the pain every midwestern skater felt back in the day trying to emulate his video edits on sketchy middle america crete.

“Out here the curbs are all weathered,” Sargent comments. “It’s not like out west, that’s for damn sure.”

But even if he’s mostly hitting bowls and parks nowadays, Danny Sargent is still a slappy god. “For me it was always a way of life,” Sargent says. “You go out and you slappy around.. it’s just what we did”.

A beacon of inspiration for curb fiends past and present, I was honored to collect Danny Sargent’s accumulated wisdom on the intricacies of the slappy for this edition of Slapchat.