Shredding Chords And Shredding Boards With Lucero's Brian Venable

The exchange between skateboarding and music is  as old as skateboarding itself, a cliche really. As a fanatical skater Lucero guitarist, Brian Venable is a part of that old story, but his evolution from skater to musician to musician/skater is a little different than the standard “skate rat starts band” trope. Venable didn't pick up a guitar until long after he had put hs board on the shelf, and even though his band shares a name with the godfather of slappies and enjoys a sizable following among skaters, Venable tracked a lot of miles on the road with the band before he finally put his feet on grip again. Now, he’s back in full-on obsessed skate rat mode. Skating has become a big enough part of his life that Lumberjack Outfitters put out a Brian Venable deck last year (which quickly sold out). Rediscovering skating has bled into Venable’s work, and how he balances and blends shredding a board with shredding on his guitar, illuminates the eternal realationship between skateboarding and music.

A Wheel/Journalistic Ethics Review, Or, Why Skateboard Product Reviews Have Always Sucked

For decades, skateboard magazines have dealt mostly in celebrity.  Skaters buy mags to see and read about the exploits of famous skaters, not to get practical information that helps them skate. Sure, there are occasionally gear reviews and trick tips, but these are inevitably useless.  Skateboarding is not a spectator sport, our culture is driven almost 100% by actual participants, yet our mags are basically selling spectatorship. Compare that with the mags that serve cyclists and runners or particpants in any other physical hobby: in other disciplines, the media is driven by things like training tips and comically exhaustive equipment previews and reviews. Nobody would buy a copy of Runner’s World if it was nothing but pictures of famous runners doing laps, but that’s kind of what skaters re doing when they buy a copy of Thrasher or Transworld.

The last thing I want is for Thrasher to mutate into Golf Digest, but I’ve always felt that there is a place for something more “rider-oriented”, in skating. Figuring out how to do this, however, is not so simple, and plunges a writer deep into the weird, murky depths of skating’s unique nature, revealing just how complex and substantive skateboarding really is.

Don't Blame Jamie Or Jaws, Here's The Real Reason For The Scooter Menace

Skating often captures the imagination of those who lack the will, temperament or dedication to take it up. This is why trends like rollerblades, snakeboards, rip-stiks, and razor scooters are always yapping at skaters' heels.

The latest incarnation of this phenomenon, the Razor scooter, has been especially persistent, not to mention obstructive to the modern skateboarder.  More than one skater has placed the blame for the scooter epidemic on the high-impact, highly technical trends in modern pro skateboarding. At a glance, the connection seems plausible: Elite level Skateboarding has developed a more risky dimension than it had in the good ol days, they say. An emphasis on increasingly complex and risky tricks rather than "just rolling", is making kids take up scooters instead of skateboards. The skate world, they posit, has become an all jocks club that welcomes only the most athletically driven skaters.

Take a closer look at skateboarding, and a good hard look at the Razor scooter, and it becomes clear that the kids riding those Razors wouldn't be riding skateboards no matter what sort of stuff was going down in Thrasher magazine.

I'm Not An Old Guy Anymore, As If I Ever Was before

My days of peak skill on a skateboard are long past.  In fact, at 42, I may be one ankle injury away from never popping an ollie again. I skate curbs more than anything else. I spend a fair amount of time skating bowls, but I don't worry too much about getting up on the coping.  So yeah, I'm an old skater: a veteran, a lifer.

But I don't think I want to be an "Old Guy Skater".

I have no illusions. I am old. Older than any skater I knew when I was in my prime, and there are lots of great things about being an old guy. The emergence of an older demographic in skateboarding has had positive effect on everything from the building of municipal skateparks, all the way down to the revival of curb skating. But with the coming of the old guys has also come a lot of back-slapping and self organizing, as well as a tendency toward a sort of pouty self-imposed marginalization.

No doubt, "Old Guy Skater" groups on social media  have been invaluable in getting veteran skaters together to shred, socialize, and share spots. I frequent a couple of really great ones, and when they are done with the right attitude, they are a great resource. Still I can never quiet escape the fact that, at some level, being a part of these groups, even the positive ones, also implies that being old relegates some skaters to a separate place in skateboarding, a place of either perceived privilege, or resigned inferiority.

The thing is, now more than ever, age has nothing to do with one's place in skateboarding.  Maybe it's time to drop the "Old Guy" branding from all the groups, blogs, and other outlets that bear that tag. Maybe it is time to re-think what being an "Old Guy" means, and what we are really trying to promote when we exult in our "Old Guy" status.

Keeping Things Rolling With Speedlab Wheels

Bill likes them.

When Speedlab Wheels started in 2002 it wasn't about cashing in, it wasn’t even an act of rebellion against big time skateboarding. Speedlab started because a skater named David Rogerson couldn’t find a wheel like he wanted to ride.

“Speedlab began because no one was making bigger wheels.” Explains Speedlab's current owner, Alan Keller “Back then, you couldn’t find anything over 58 millimeters.”

Now Speedlab has changed hands, but Speedlab is still all about getting skaters the kind of wheels they want and deserve but can’t always get. 

The Popsicle Experiment

For the last two years I have been one of the thousands of skaters who has embraced alternate skate deck shapes. I've ridden shovel heads, punk points, curvaceous, wide bodied hybrids like the Street Plant Street axe, and I’ve had custom shapes made to my own specs, The whole time I've been pretty vocal about how these shapes can be more than just nostalgic, stylistic affectations.

About 3 months ago, for the first time in 2 years,  I set up my first popsicle deck. It was my attempt to come full circle with all my experimentations, and see how my perceived preferences stood up against the baseline of modern skateboarding.

Even in light of all of my shape advocacy, I would be lying if I said that I didn’t notice immediate advantages with the popsicle. There are good reasons to ride a standard shape, just as there are good reasons to ride a well-designed alternate shape. Teasing out what advantages come from the actual popsicle shape and which come from other factors like a shift in wheelbase size and width is a more subtle matter.

Talking Gear Doesn't Make You A Poseur, And Not Giving A Crap Doesn't Make You A Jock

If you are familiar with the work I've done with The Ride Channel or even hung around the Parking Block Diaries Facebook page, you probably know I put a fair amount of thought into the gear I ride. In modern skateboarding, thinking critically about what you are riding is usually a point of controversy, not for the opinions you might form, but for the fact that you have an opinion at all.

I see it all the time on my pages or in the comment sections of my articles: Someone will ask some advice about how a deck rides or ask for suggestions on what kind of wheels to get, and, soon afterwards, the snarky and even hostile comments come rolling in. For many, even asking about gear is "over-thinking" and considering the specs of different products"Doesn't matter".  Before long they always end up twisting the good ole' Zorlac "Shut up and skate" slogan into their ultimate justification.

Stop acting Like The Taliban. Start Acting Like The Hell's Angels

Skaters like to wax poetic about the virtues of core skateboarding, the values fostered by the underground...they go on about how important all of that is, how vital it is, yet, when anything comes along that might (gasp) move skateboarding outside the boundaries of their own personal, subjective and usually overly idealized ideology of "core" skateboarding, they start ranting about how skateboarding is in peril of being "ruined".

I have to wonder: Just what is this fragile thing they call skateboarding that needs so much protection?  It's not something I recognize. The skateboarding that I have cherished for three decades is not some precious, fragile little flower, it's a fucking weed that won't die no matter how hard it gets pulled, stepped on, or doused with poison. It's a weed that can't be killed because its roots are too strong.

SLAPCHAT: With Danny Sargent

If there was a Mount Rushmore of curbs, Danny Sargent’s face would be on it, three stories high, right between John Lucero and Tom Knox. At the apex of his career it seemed as if there was no angle of concrete in the San Francisco Bay area safe from the wrath of Sarge’s trucks. But now, after moving his family to Minneapolis, Danny Sargent is getting a sample of the pain every midwestern skater felt back in the day trying to emulate his video edits on sketchy middle america crete.

“Out here the curbs are all weathered,” Sargent comments. “It’s not like out west, that’s for damn sure.”

But even if he’s mostly hitting bowls and parks nowadays, Danny Sargent is still a slappy god. “For me it was always a way of life,” Sargent says. “You go out and you slappy around.. it’s just what we did”.

A beacon of inspiration for curb fiends past and present, I was honored to collect Danny Sargent’s accumulated wisdom on the intricacies of the slappy for this edition of Slapchat.

Why "International No Ollie Day" Should Be The Next Big Skate Holiday

Every year when Go Skateboarding Day rolls around, I get to thinking about other holidays skaters might think up to celebrate their culture. Usually these musings are just an excuse to crack jokes and troll for cheap laughs, but this year I’ve been thinking about something more functional, more sincere. I’ve come up with an annual event that will both pay homage to some neglected elements of skateboarding while opening the minds and trick repertoires of all the skaters who choose to participate. A holiday skating, especially street skating needs.

SLAPCHAT: With Matt Field

In the mid 90’s Matt Field and his Real Skateboards teammates like Keith Hufnagel, Mark Gonzales, and Greg Hunt did just as much to bring flow back to skating as any of the Sub Zero or Zoo York crew. Although he may be more renowned for wallrides and one of the best nollie front 180’s ever popped, Field’s east coast roots and soulful style means he’s also deeply connected to the dao of slap. Subjecting Field to the slapchat grind revealed that this smooth operator had a lot to say about slapping curbs. No doubt, he’s one of us.

SLAPCHAT With Donny Humes of Smelly Curb Zine

All photos: Jason Bash

When Ohio Skater Donny Humes started Smelly Curb Zine in 1987, skating curbs wasn’t a nostalgic trend or a time-filling gimmick, it was the status quo for anyone who didn't have access to a pool or half pipe. (i.e., almost everyone not near a coastline). As decades passed and skating changed, Humes became more than just another guy making a zine about skating. Producing Smelly Curb by hand with X-acto knives and Xerox machines even after the advent of digital publishing, Humes became a sort  Keeper Of The Curb, using his zine to help keeping skating rooted to the crete thorough all its ups and downs. Humes efforts as an artist, publisher and skater have earned him the respect of skaters around the world and secured him a place in the prestigious Grand Order Of Curb Crushers. When it comes to slappy authorities, you can’t do much better than Humes. We ran Humes through the Slapchat gauntlet, and here’s what we got. Read and learn.

First Off, what counts as a slappy? Do you have to get your trucks involved? Some folks consider a noseslide on a curb where you don’t lift your tail a “slappy noseslide” or a slapped in blunt slide a “Slappy blunt”?

The first slappy involved grinding your trucks, literally carving or slashing the curb. there are variations now because that’s what skateboarding does, it evolves and expands. Slappies are all about the grind, and feeling the concrete
and trucks rippling under your feet.

Jimmy Wallace's Driveway Part 2

This is the second part of series of posts about one of the most important days in my skateboarding life. Read the first part here.


In the 80's anyone who took a journey on a skateboard began it at a crossroads. On one side was a slight detour off the conventional teenage track: a scenic exit that lead, ever so briefly, down the “skater dude” stretch of an otherwise conventional segment of the highway of adolescence.The other direction was the wrong turn; An exit that might put you into the social badlands for years, and out of the orbit of the right clothes, the right music, and the right friends forever.


Regardless of which direction that little piece of plywood was going to take you, the journey really couldn’t begin until you had a skateboard that cost about a hundred bucks and was endorsed by some feverishly marketed pro superstar. Lifer or poseur, to be a skater You had to have the right board, and there were magazines, videos and, for a while, even peer pressure to let you know what the right board was. It’s not very punk rock, its not egalitarian, but it’s true. The mid 1980s boom that helped define skateboarding, was subsidized by trendiness, conspicuous consumption and the acquisitiveness of skateboard manufacturers.

What you should be talking about when you're talking about "Old School"

The term "old school"gets thrown about a lot nowadays. Old school tricks. Old school boards. Old school style... It's a term that's crossed the rubicon of cliche and gone straight on to meaningless. So much water has flowed under the bridge, "old school" is now a term that equally applies to a backside boneless or a front foot impossible. The term "old school" is so relative its easy to clown yourself using it casually. So your $100 Powell Caballero dragon re-issue is an "old-school" deck? Let me introduce you to my bro over there whose first plank was a Bahne Fibreflex back in '78.

Refer to decks, tricks, styles, music as "old school" and  I'll probably tune you out, but there are some legitimately "old school" concepts that we should all be talking about much more. These are things more relevant than pointed noses and no-complies. You want to talk about :"old school" let's talk about about old school skate culture, and I'm not talking about Jim Phillips graphics, flipping the bill up on your Suicidal Tendencies hat, or paint penning a bad approximation of the Rat Bones logo on your griptape, either. The term "old school" ought to be trotted out only in instances where it can really matter, instances where it refers to values and practices that are getting lost in times when skateboarding is more accessible and more codified.

SKATEMEMEING IS NOT A CRIME!

I made a promise to myself when I started this blog that I wouldn't do lazy, click-farming stuff like top ten lists. Whether memes fall into that category or not is up to cannier mine than me to debate. I love memes, and went a little crazy with them on facebook. Here's a full set. Share and enjoy.

Talking Popsicles And Pachyderms With Mike Vallely

In 27 years as a working pro, Mike Vallely’s impact on skateboarding has been nothing less than comprehensive. In pursuing his craft, Vallely has not only helped shape what people can do on their skateboards, but also the shape of the skateboards they do it on. Through his relentless touring, vocal advocacy, and plain old trucks-to-the-grindstone ethos, Vallely’s influence goes well beyond the tricks and video parts and deep into the mind state of skateboarding. As famous for speaking his mind, burning bridges, and busting security guards as he is for busting bonelesses, Vallely has always seemed fearless, militant even, in his passion for and pursuit of skateboarding.

But standing on the decks at the Skatepark of Tampa during the Tampa pro contest in 2012, He’s nervous.

Beyond Go Skateboarding Day: Some New, More Festive Holidays For Skaters

Skateboarding now has its own quasi-holiday with Go Skate Day. Every year the occasion gets bigger and that’s pretty cool, on the other hand, creating a special day for skaters called “Go Skate day” is kind of like a bunch of junkies getting together and declaring a “Go Shoot Up Day”.  After all, go skateboarding day is any day you’ve got time to skate...that it isn’t raining...or that you are not in too much pain from the last “go skateboarding day”. Still, the precedent of a skateboarding holiday is great because it paves the way for some better, more specific holidays for skateboarders. Here’s a few festive ideas I came up with, some holidays that commemorate more specific aspects of skate culture that I think need to be celebrated and cherished:

Janksgiving: Janksgiving is a day for skaters give thanks for all the sketchy, chunky spots that helped them learn to skate before they were good enough to rip their local park or hot street spot. Skaters are encouraged to re-visit the two-step staircases, strip mall curbs, and school/church parking lots they cut their teeth on as a way to foster an appreciation for their skate heritage. It is also a day of thankfulness for DIY skate parks, so hug your local cementhead and give him a bag of quikrete, then get to work. The day of appreciation peaks with the Janksgiving Feast, where you and your extended skate family gather together with whatever scraps of wood and other semi-skateable materials you can find, and then use them to build a new janky skate spot. After shredding it, you have a pot luck dinner where everyone contributes their favorite recipes from old Skarfing Material columns.

Deloreans, Driveway Destruction And Vicious Acts Of Valterrorism

Courtesy Skateandannoy.com

1985 was the year Back To The Future came out, the year I got my first wide-bodied department store knock-off board. It was a big year for skateboarding in general. In the civilized world, the sport was beginning to rebound from its near-death at the end of the 1970‘s. Corporations were beginning to, once again, wave cash around to bankroll demos and contests. Skateboarding was popping up sporadically in TV commercials, and NSA contest attendance broke records. Robert Zemeckis’ classic film kicked that momentum into overdrive. A lot of kids got their first stick after seeing Back To The Future, and I’m not just referring to the farm belt yokels either. By December of 1985, a skateboard was the christmas gift of choice for a lot of kids everywhere. Marty Mcfly doesn’t deserve all the credit for making that happen, but he certainly played a part.

Of course, living in the midwest back then was a sort of time warp in and of itself. It wasn’t that things always came to us late (although they mostly did), if a fad reached critical mass fast enough to be co-opted by Hollywood, it could break the time barrier and reach into the suburban midwestern zeitgeist in an almost timely fashion. But even when that happened, what we got was the toned-down, tone-deaf commodified and co-opted version of whatever it was. This was the case with Punk Rock, It was the case with breakdancing and, it was the case with skateboarding.